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Finally, paradoxes of performing refer to tensions around the plurality of competing organizational goals in the face of divergent stakeholder demands (Smith and Lewis ). Paradoxes of performing touch the very heart of corporate sustainability and its ambition to contribute to a diverse set of potentially competing sustainability issues, such as climate change, biodiversity conservation, poverty alleviation, public health, or education. Following an either/or perspective, firms will perceive these tensions as multiple dilemmas. Given the dominance of a commercial logic in business organizations, firms will seek to eliminate these dilemmas by selectively picking those environmental and social concerns where business benefits can be expected, dismissing all other sustainability concerns in the process.

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Abstract sociology research paper

Spencer systematically tried to establish the basis of a scientific study of education, psychology, sociology, and ethics from an evolutionary point of view. Although many of his specific ideas are no longer fashionable, Spencer went a long way in helping to establish the separate existence of sociology as a social science. His idea of evolutionary progress, from the simple to the complex, provided a conceptual framework that was productive and that justifies granting to him the title father of comparative sociology. His views concerning a science of sociology are elaborated in two major works, (published in 17 volumes, 1873-1934) and (1873).

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The Collective Imagination explores the social foundations of the human imagination. In a lucid and wide-ranging discussion, Peter Murphy looks at the collective expression of the imagination in our economies, universities, cities, and political systems, providing a tour-de-force account of the power of the imagination to unite opposites and find similarities among things that we ordinarily think of as different. It is not only individuals who possess the power to imagine; societies do as well. A compelling journey through various peak moments of creation, this book examines the cities and nations, institutions and individuals who ply the paraphernalia of paradoxes and dialogues, wry dramaturgy and witty expression that set the act of creation in motion. Whilst exploring the manner in which, through the media of pattern, figure, and shape, and the miracles of metaphor, things come into being, Murphy recognises that creative periods never last: creative forms invariably tire; inventive centres inevitably fade. The Collective Imagination explores the contemporary dilemmas and historic pathos caused by this-as cities and societies, periods and generations slip behind in the race for economic and social discovery. Left bewildered and bothered, and struggling to catch up, they substitute empty bombast, faded glory, chronic dullness or stolid glumness for initiative, irony, and inventiveness. A comprehensive audit of the creativity claims of the post-modern age - that finds them badly wanting and looks to the future - The Collective Imagination will appeal to sociologists and philosophers concerned with cultural theory, cultural and media studies and aesthetics.

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Overall, a paradox perspective on corporate sustainability not only considerably widens the scale and the scope of corporate contributions to sustainability; it also offers the theoretical foundations for a conceptualization of corporate sustainability that removes the limitations that result from the primacy of business benefits over environmental and social concerns.

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As the 1960s gave way to a far less confident decade, the sociology of religion shifted once again—this time to the social construction of meaning systems epitomized by the work of Berger and Luckmann.

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A paradox perspective on corporate sustainability has important descriptive aspects. It can be used to describe and explain how firms and decision makers deal with paradoxical tensions around multiple sustainability issues, which relies on descriptive categories that accurately capture organizational phenomena around such tensions. From a descriptive perspective, relevant empirical questions include (cf. Schad et al. ): Does a paradoxical perspective offer more accurate descriptions of managers’ and businesses’ responses to sustainability challenges (for instance, in comparison with a business case view)? What types of paradoxes do decision makers and firms perceive when being confronted with sustainability issues? What kinds of strategy do individuals and organizations develop to respond to tensions around sustainability issues?

C Wright Mills The Sociological Imagination Updated 2016 - Business

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A Bibliography of Works about Durkheim

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A summary of Chapter 1 in John Gardner's Grendel

The Collective Imagination explores the social foundations of the human imagination. In a lucid and wide-ranging discussion, Peter Murphy looks at the collective expression of the imagination in our economies, universities, cities, and political systems, providing a tour-de-force account of the power of the imagination to unite opposites and find similarities among things that we ordinarily think of as different. It is not only individuals who possess the power to imagine; societies do as well. A compelling journey through various peak moments of creation, this book examines the cities and nations, institutions and individuals who ply the paraphernalia of paradoxes and dialogues, wry dramaturgy and witty expression that set the act of creation in motion. Whilst exploring the manner in which, through the media of pattern, figure, and shape, and the miracles of metaphor, things come into being, Murphy recognises that creative periods never last: creative forms invariably tire; inventive centres inevitably fade. The Collective Imagination explores the contemporary dilemmas and historic pathos caused by this-as cities and societies, periods and generations slip behind in the race for economic and social discovery. Left bewildered and bothered, and struggling to catch up, they substitute empty bombast, faded glory, chronic dullness or stolid glumness for initiative, irony, and inventiveness. A comprehensive audit of the creativity claims of the post-modern age - that finds them badly wanting and looks to the future - The Collective Imagination will appeal to sociologists and philosophers concerned with cultural theory, cultural and media studies and aesthetics.

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